The Mission: Impossible film franchise looks like it’s as unstoppable as the Fast & Furious franchise seeing as there’s a fifth one on the way soon.
Mission: Impossible II just happened to be on TV the other day over here. You could probably call this a guilty pleasure film of mine. As I’m quite happy just watching it whenever it’s on. Though, in all honesty, I’m don’t feel guilty that I do enjoy watching this film!
The Knick is the best TV show you’re not watching right now. FACT. Directed by Steven Soderbergh and starring Clive Owen, it is quite possibly my favourite thing to watch on TV at the moment.
But, I’ll wax lyrical about the actual TV show another time. Right now, I want to introduce you to the soundtrack. The Knick is scored by Cliff Martinez of Drive, Contagion, Traffic and Solaris fame. And he brings exactly what you would expect to The Knick:
Took a little bit longer than I had anticipated, but finally got around to seeing How to Train Your Dragon 2, and it was everything I could have wanted out of a sequel to one of my favourite animated films of recent years.
Even better, the film score from John Powell delivered yet again. Though, a couple of times it felt like it was trying to slip into Brave’s score, especially the track For the Dancing and the Dreaming.
What I was incredibly glad for was having Jónsi back with a track on the album. The whole reason I got into Jónsi in the first place was all down to How to Train Your Dragon!
Completely and utterly enjoyed X-Men: Days of Future Past. I might still be trying to reconcile the ramifications of the film on past X-Men films. But I’m dealing with that.
For the ‘revamped’ X-Men films’ second outing, John Ottman has taken the reigns on the scoring duties. Personally, I really, really enjoyed Henry Jackman’s score for First Class. Which is probably a big reason why I’ve chosen the track I have as my favourite pick of the bunch.
Alexandre Desplat’s score for Godzilla is excellent. It’s loud, roar-y and everything it should be for the new Godzilla film. However, I couldn’t pick one of the album’s tracks as a favourite. Sure, The Power Plant is a stand out track. But my favourite film score moment has to be the music accompanying the HALO jump sequence:
The track is by György Ligeti, titled Requiem. Famously used in 2001: A Space Odyssey. This track sends chills down my spine listening to it as a stand alone piece. It was a perfect match to the sequence in the film. And I think my favourite scene from the entire film.